Octavian was born and raised in
Jefferson City, MO. He received his BA in Studio Art from Truman State
University in December 2024, In his time during undergrad, Octavian was an active
member of Truman State’s printmaking club “The Bad Acids.” There he practiced
demonstrating basic relief, screen-printing skills, and general shop etiquette
to other students, learning both teaching and professional practice skills in
an academic space. Within his senior BA show, Octavian specifically showed work
on queerness and gender expression as a transmasculine individual experiencing
transition, using his personal experiences as a lens for the audience to create
a sense of empathy and connectivity.
After finishing his undergraduate
degree, Octavian was accepted to the Wonsook Kim School of Fine Arts into their
Master of Fine Arts program to focus on printmaking. In taking this opportunity,
it has not only allowed him to continue working on his artistic practice but
also introducing further professional and teaching opportunities. His current
work focuses on queer lives and bodies through the ideas of intimacy,
voyeurism, and kink; in the work, there is a culture to queer intimacy that he
shares through the ideas of intimacy and voyeurism. The subject of the work is
often represented by hands to both objectifies and remove the gender of the
subject by limiting their view, while focusing on these intense moments of connection.
Much of his research has focused on
psychology of gender performance and queer performance history to create a
better understanding of his current artistic linage and influences. Printmaking,
as a medium has worked for Octavian as a representation of process, touch, and
direction connection with making. Much of the historical context and purpose of
printmaking has further enhanced this connection to labor and process, to not
only connect with the work as an artist, but to further create empathy and
human connection with the audience and viewer.